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英语中级口译岗位资格证书实考试卷汇编(Ⅳ)(笔试、口试及标准答案)含音频光盘一张

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出版社
上海交通大学出版社
作者
上海市高校浦东继续教育中心
ISBN
9787313025975
版次
2009年4月第4版 9月第18次印刷
可用积分红包
可用积分20,红包2元
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    《英语高级口译证书实考试卷汇编6(2007-2010)》为上海外语口译证书培训与考试系列丛书之一。

    《英语中级口译岗位资格证书实考试卷汇编(4)(笔试、口试及标准答案)》讲述了《上海市英语中级口译岗位资格证书》考试,自1997年3月开考以来,已进入了第十二个年头。应考人数从第一期的300余人上升到2008年9月第二十四期的37000余人,累计参考人数已达32万多人次。考试地区从上海扩展到南京、苏州、无锡、南通、扬州、杭州、宁波、武汉、南昌、青岛、烟台、深圳等地。这一迅猛发展的势头表明本项目已获得社会的广泛认可。从统计数字看,考生主要是在校大学生和学历在大学本科以上的在职人员。他们普遍认为,这个考试项目以及考前培训对学校英语教学是一种有效补充,有助于全面提高英语听、说、读、写、译(包括笔译和口译)的能力。


目录


试卷一(0603)

上海市英语中级口译资格证书第一阶段考试

参考答案

听力测试题录音文字稿

上海市英语中级口译资格证书第二阶段考试

A卷

参考答案

口译题录音文字稿

B卷

参考答案

口译题录音文字稿

试卷二(0609)

上海市英语中级口译资格证书第一阶段考试

参考答案

听力测试题录音文字稿

上海市英语中级口译资格证书第二阶段考试

A卷

参考答案

口译题录音文字稿

B卷

参考答案

口译题录音文字稿

试卷三(0703)

上海市英语中级口译资格证书第一阶段考试

参考答案

听力测试题录音文字稿

上海市英语中级口译资格证书第二阶段考试

A卷

参考答案

口译题录音文字稿

B卷

参考答案

口译题录音文字稿

试卷四(0709)

上海市英语中级口译资格证书第一阶段考试

参考答案

听力测试题录音文字稿

上海市英语中级口译资格证书第二阶段考试

A卷

参考答案

口译题录音文字稿

B卷

参考答案

口译题录音文字稿

试卷五(0803)

上海市英语中级口译资格证书第一阶段考试

参考答案

听力测试题录音文字稿

上海市英语中级口译资格证书第二阶段考试

A卷

参考答案

口译题录音文字稿

B卷

参考答案

口译题录音文字稿

试卷六(0809)

上海市英语中级口译资格证书第一阶段考试

参考答案

听力测试题录音文字稿

上海市英语中级口译资格证书第二阶段考试

A卷

参考答案

口译题录音文字稿

B卷

参考答案

口译题录音文字稿


英语中级口译岗位资格证书实考试卷汇编-(笔试.口试及标准答案)(IV) 相关资料


  Declan Mayes, President of the Music Buyers Association, is furious at a recentannouncement by the recording industry regarding people downloading MP3 music files fromthe Internet as actual criminals.

    A few parallels may be instructive. If someone copies an audio music cassette for theirown private use, they are, strictly speaking, breaking the law. But recording companieshave usually turned a blind eye to this practice because prosecuting the few people involvedwould be difficult, and the financial loss to the company itself is not considered significant.Now the Music Recording Association has announced that it regards individuals downloadingmusic from the Internet as pirates, claiming that they damage the industry in just the sameway. "The industry is completely overreacting; it'll be a laughing stock," says Mayes."They're going to arrest some teenager downloading files in his bedroom-and sue him forthousands of dollars! This isn't going to frighten anyone into buying CDs".

    Mayes may have a point. There is a general consensus that CD pirates should besubjected to the full wrath of the law, but few would see an individual downloading music forhis or her own pleasure in the same light. However, downloading music files illegally is notas innocuous as making private copies of audio cassettes. The scratchy, distorted cassette copy is a poor version of the original recording, whereas an MP3 file is of high quality and can be stored-on a CD, for example. It is this that makes the practice a powerful temptation for music fans, given the high cost of CDs.

    What does Mayes think about claims that music companies could be forced out of business by people downloading music illegally? That's nonsense. Music companies are always whining about high costs, but that doesn't prevent them from recording hundreds of CDs by completely unknown artists, many of whom are "packaged" by marketing departments to appeal to young consumers. The companies are simply hoping that one of these new bandsor signers will be a hit, and although it can be expensive to promote new artists, the cost ofmanufacturing the CDs is actually very low.

    This last point would appear to be the focus of resentment against music companies., aCD is far cheaper to produce than its price in the shops would indicate, and profit margins forthe music companies are huge. An adult with a reasonable income may not object to paying15 for a CD of classical music, but a teenager buying a CD by the latest pop sensation mayfind that price rather steep-especially since the latest pop sensation is almost certain to beforgotten within a few months. And while the recording industry can't be held responsiblefor the evanescent nature of fame, given the teenage appetite for anything novel, it couldlower the prices it charges-especially since technology is making CDs even cheaper toproduce.

    This is what Mayes hopes will happen. If the music industry stops exploiting the music-buying public, it can survive. Everyone would rather buy a CD, with an attractive jacket andbooklet, than mess around downloading files, but the price has to be reasonable. Theproblem isn't going to vanish if the industry carries on trying to make a quick profit.Technology has caught up withthe music companies, and trying to fight it by taking peopleto court will only earn money for the lawyers.16. Mayes thinks that the recording industry's recent announcement

    (A) fails to take into account the difficulties of prosecuting offenders

    (B) makes the industry appear ridiculous

    (C) will deter consumers from buying CDs

    (D) will encourage resentment of CD piracy

    17. Why does the writer feel that MP3 files are unlike copies of audio cassettes?

    (A) Downloaded MP3 files are generally not for private use.

    (B) The financial losses to the music industry are greater.

    (C) The price of MP3s is higher than that of audio cassettes.

    (D) There is a significant difference in quality.

    18. According to the passage, Mayes implies that music companies

    (A) could cut costs by making cheaper CDs

    (B) should not promote artists who are unknown

    (C) are speculating when they promote new artists

    (D) should use different manufacturing processes

    19. The author points out that the music industry cannot be blamed for

    (A) the fact that fewer teenagers are buying classical music CDs

    (B) the fact that fashions change quickly

    (C)the poor quality of modern music

    (D)the prices that are charged for CDs in shops

    20.What does Mayes think is at the root of the survival problem facing the music industry?

    (A)7he unprecedented speed of technological development.

    (B)Unrealistic legal advice and practice.

    (C)Its failure to adopt an appropriate pricing strategy。

    (D)7he rapidly changing nature of contemporary music.

    Questions 21~25

    7he basic story is very old indeed and familiar to most of us.The heroine,Cinderella,istreated cruelly by her stepmother and mocked by her two ugly stepsisters.And even thoughher father loves her’she can’t tell him how unhappy she is because her stepmother hasbewitched him.One day Cinderella’s stepmother and stepsisters are invited to a ball at theroyal palace.Cinderella is told she cannot go and is understandably very unhappy.However,her fairy godmother comes to the rescue and,waving her magic wand,produces somebeautiful clothes for Cinderella as well as a carriage to convey her to the ball.There。shedances with the handsome prince,who falls in love with her…

    Just a sweet’pretty tale?Not in the view of Ellen Macintosh,who has writtenextensively about fairy tales.“This story features the stock,two-dimensional characters o{most fairy tales,and little character development is attempted,”she says.Indeed,althoughheI comment does make one wonder why simplicity of this sort should be out of place in astory for children.Be that as it may’Ellen’s main problem is with what the story implies。“Instead of standing up to her cruel stepmother and absurd stepsisters’Cinderella j ust waitsfor a fairy godmother to appear and solve her problem.But wouldn’t you want a daughter ofyours to show more spirit?”The story is enduring,whatever its shortcomings,and itdoesn’t take much in the way of analytical skills to see its influence on a number of recentHollywood productions’all aimed at girls aged five to fifteen.In these versions for the silverscreen,the Cinderella character no longer has to clean the house and has no siblings to makeher life a misery’though she persists in not showing much backbone.The character of therich and handsome stranger’however’is retained’and in some cases really is a prince。Therole of the fairy godmother is often played by coincidence or sheer luck;we live in anenlightened age when even very young children might reject the notion of fairies.The wickedstepmother may be transformed ir~to a villain of some sort.In the majority of film versions,the heroine has a profession and is even permitted to continue working after marrying herprince-this is the twenty-first century,after a11.

    Doesn’t the success of these films indicate that the story has relevance to children eventoday?“Yes’”admits Ellen,who sees its message as being rooted in a fundamentalchildhood desire for love and attention.Most children experience a sense of inner loneliness


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